Tag Archives: sidney poitier

Oscar Sunday: Predictions and Historical Context

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It’s Oscar time again, when movie lovers get together to discuss, make predictions, and debate with fervor who is deserving of the most prestigious awards in screen acting…and who is not. In my family, we have a yearly Oscar get-together with longtime family friends, complete with a very competitive Oscar pool for which we all research the latest statistics and predictions up to the very last minute.

Today, I would like to explore some historical context for this year’s nominations. There are some parallels, connections, and trivia connected with classic Hollywood that I think are worth noting, especially with La La Land dominating the nominations.

La La Land has tied with All About Eve for a record number of nominations.

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While the record was first tied when Titanic was nominated in 1998, there has been no movie in history that has beaten All About Eve‘s record of 14 nominations. Prior to 1950, Gone With the Wind held the record with 13.

If La La Land wins everything for which it’s nominated, it will be only the 4th movie in history to win “The Big Five.”

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It Happened One Night (1934) was the first movie to win what is known as “The Big Five”–Best Picture, Best Director, Best Actor, Best Actress, Best Screenplay. For over 40 years, it remained the only movie to have done so, until One Flew Over the Cuckoo’s Nest in 1975, which was followed by Silence of the Lambs in 1993. If La La Land manages to secure all these awards, it will join a very prestigious group of movies.

Granted, I don’t think this is going to happen. La La Land is supposed to win about 10 awards tonight, and a few of “The Big Five” categories have been pretty locked in for other nominees, based on my research. But we may be surprised.

Sidney Poitier was the first African-American to win Best Actor. Nearly forty years later, Denzel Washington was the second.

Before Sidney Poitier, Hattie McDaniel was the only African-American to have won an Oscar. Poitier was not expected to win, so he made up a speech as he made his way up to the stage, which included the line “It is a long journey to this moment.” After Poitier, no African-American won another Best Actor Oscar for another forty years, until Training Day in 2002, when Denzel Washington won. He’s nominated again tonight for Fences, and is a top contender to win.

Here are the Oscar speeches by Sidney Poitier and Denzel Washington.

Only once in the history of the Best Director category has a nominee won Best Director without a Best Picture nomination.

Oscar history won’t be made tonight in this arena. All nominees in the Best Director category have nominations for Best Picture. Only at the 2nd Academy Awards in 1930, when Frank Lloyd won for directing Divine Lady, has someone won Best Director without at least a nomination for Best Picture.

There’s a caveat to this bit of trivia. At the 1st Academy Awards, there were two categories for Best Director–best director of a comedy, and best director of a drama. Neither of the comedies nominated for Best Director of a Comedy were nominated for Best Picture. But now there’s only one category, and Divine Lady‘s record stands.

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Frank Lloyd with his Oscar for Divine Lady.

Any other classic Hollywood Oscar connections with this year’s Oscars that I missed? Feel free to comment with your favorites, and I’ll update the post with your comments. Enjoy the Oscars tonight!

From @Filmatelist on Twitter:

“Tonight is the third time a movie called THE JUNGLE BOOK was nominated for an Oscar (the previous incarnations were 1942 & 67). This is only the 4th time ever a single title had three different versions all nominated for Oscars, spread out years apart from each other.”

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The Oscars in History

Today is Oscar Sunday, and your author is in rain-soaked Los Angeles today trying to stay dry. Tonight, right down the street and for the 86th time in history, the Academy will pick what it considers to be the best achievements in filmmaking over the past year.

To many people, the Oscars are synonymous with glamour, fame, chic, and high fashion. The one night when the stars we see on the screen come together to celebrate the best among them, in the best outfits from the best designers. We see joy at wins and barely masked sorrow at losses, a lavish ceremony punctuated by long breaks for expensive commercials. It has become a moneymaker and a television extravaganza, and genuine appreciation for the talented winners is often trumped by concern for corporate sponsors and commercial breaks.

But it has not always been this way. The Oscars of today would be almost unrecognizable by those who attended the first Academy Awards 86 years ago, in a small room in the Hollywood Roosevelt Hotel on May 16, 1929. It was a private dinner with awards announced in advance for the best and brightest of the years 1927 and 1928. Janet Gaynor won a Best Actress Oscar for 3 roles (Seventh Heaven, Sunrise: A Song of Two Humans, and Street Angel), while the Best Actor Oscar went to Emil Jannings for two (The Way of All Flesh and The Last Command). The entire ceremony lasted for 15 minutes, and it was not broadcast over any medium.

Janet Gaynor receives her Oscar from Douglas Fairbanks.

Janet Gaynor receives her Oscar from Douglas Fairbanks.

Over the years, the Oscars morphed into what they are today. With the advent of television and corporate sponsorship of the telecast, the ideas, morals, and priorities have shifted to make the Oscars primarily a moneymaking endeavor for the network on which it is broadcast. That does not mean, however, that the Oscars themselves have lost their significance. Despite the capitalistic drive of the Oscar telecast, the Oscars remain an integral part of the industry and influence forever the lives of all who are nominated or win. They have become a part of our cultural fabric.

Owing to the mass audience that the Oscars attract and the interconnection between the ceremony and culture as a whole, the Oscars have a reputation for being political, whether those politics manifest in choice of winners, in speeches, or in occurrences during the ceremony. National and world struggles have often been reflected during the Oscars, and they have helped shape the lens through which we perceive what goes on in our world.

Here are some classic Hollywood Oscar moments that have interwoven into our national dialogue.

HATTIE MCDANIEL WINS BEST SUPPORTING ACTRESS FOR GONE WITH THE WIND, 1940

For a film whose premiere she was not allowed to attend, and at a segregated ceremony in which she was relegated to the back of the room, Best Supporting Actress nominee Hattie McDaniel won the Oscar for her portrayal of Mammy in Gone With the Wind at the Academy Awards in 1940. Her speech is, in my opinion, one of the most eloquent and heartfelt of any speech ever given at the Academy Awards.

SIDNEY POITIER WINS BEST ACTOR FOR LILIES OF THE FIELD, 1964

In the same vein, at the height of the Civil Rights Movement in 1964, Sidney Poitier won Best Actor for his role in Lilies of the Field. It marked the second Oscar in history for a black actor, after Hattie McDaniel’s historic win in 1940. After the ceremony, Poitier declined to comment on the significance of the occasion to reporters, preferring to reflect further before making a statement so important given the times.

JANE FONDA WINS THE OSCAR FOR KLUTE, 1972

In 1972, Jane Fonda won the Oscar for Klute in the wake of her active campaigns against the Vietnam War. She was a very controversial figure in Hollywood at this time and during her speech she acknowledged the controversy by saying “There is a great deal to say…and I’m not going to say it now.” A few months later, Fonda went to Hanoi to continue her anti-war campaigning, becoming known to a generation as “Hanoi Jane.”