Tag Archives: classic movies

Supreme Court Declines to Take Up Olivia de Havilland Case

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I received confirmation this morning from Olivia de Havilland’s counsel, Suzelle Smith, that the Supreme Court has declined to hear the case of Havilland v FX, Olivia de Havilland’s petition to the court to allow her case against FX to go to trial.

It is a disappointing decision, but de Havilland has fought an enormous battle, persevering until the very last recourse. That type of persistence is a quality that she has always had–and clearly continues to have at the age of 102. May we all learn from her, and may we all be so fortunate as to live to see the day when we can act on her example.

From the email this morning: “One day someone else who is wronged for the sake of Hollywood profits will have the courage to stand on the shoulders of Miss de Havilland and fight for the right to defend a good name and legacy against intentional, unconsented exploitation and falsehoods. Miss de Havilland hopes she will live to see the day when such justice is done.”

I want to thank all of you for following this case, and my coverage of it. It has been a true learning experience to do this kind of work, and to examine meticulously the inner workings of a lawsuit of this caliber has been an enormous privilege. While this outcome isn’t what we had hoped, the response to this case in the record number of letters sent to the courtrooms has proven that Olivia de Havilland continues to be loved and supported by people all over the world.

On behalf of myself, everyone involved in the case, all the newspaper and magazine outlets devotedly following the case since the beginning, Olivia de Havilland’s counsel, and everyone who has rooted for truth in media–thank you.

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Supreme Court to Decide Whether to Take Up Olivia de Havilland Case Today

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Hello readers, just a very quick update for those following the Olivia de Havilland case. Today, the Supreme Court is expected to decide whether or not they will take up her petition. If you would like to follow the case on the SCOTUS blog, here is the link to the petition page. I will update as more information becomes available.

For more information on what this petition is about, to fill in those new to the blog, here is a list of my full coverage on the case.

I will be following the page throughout the day to provide updates as they come in.

Thanks for reading, and for following this fascinating piece of legislation.

UPDATE: No order was released today on the Olivia de Havilland case–there will be additional orders released on Monday, January 7 and perhaps some on Tuesday.

Searching for Mary Poppins in 2018

 

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When I first heard that there would be another Mary Poppins movie made in 2018, I wasn’t sure what to think. Being a lifelong devotee of the original film, I was hard-pressed to imagine anyone who could fill the gigantic shoes of Julie Andrews and Dick Van Dyke, or if anyone even had the right to try. Early mumblings in the classic film community about Mary Poppins Returns were skeptical, cautious. Some said they wouldn’t see it. Some said they were willing to give it a chance, but held low expectations.

I always fell somewhat into the second camp. I brightened to hear that Lin-Manuel Miranda would be playing the Bert character (perfect casting, I felt), but I remained on my guard. I was convinced that remaking Mary Poppins at all was a futile effort.

I went to see the film yesterday afternoon at the lovely Landmark Shattuck in Berkeley. I went in with an open and curious mind, looking forward to seeing how the filmmakers and actors handled the seemingly insurmountable task of a Mary Poppins remake. But immediately, I understood what this movie is about. Mary Poppins Returns is not a remake at all–but rather a piece of much-needed escapism for 2018 audiences, in a world that desperately needs it.

Movies have always served the social needs of their time. In moments of national crisis, they have served to allay fears, provide comfort, or commiserate with worries. Frequently, the messages were subtle. In 1944, at the height of World War II, Meet Me In St. Louis brought wartime viewers back to 1903 St. Louis, when things were easier, life was slower, and there was no war. Though the film takes place 40 years prior, the message was clear. “Have Yourself a Merry Little Christmas” was really for the soldiers, and the American people as a whole.

Mary Poppins was released in 1964, as the United States faced dire challenges. With the Vietnam War heating up, the Civil Rights Movement at its peak, Russia and the United States facing off and John F. Kennedy recently assassinated, adults and children needed to be taken away from their circumstances. Mary Poppins‘ fantastical escape into 1910 London and a land of chalk drawings, cartoons, and magical nannies provided just that opportunity.

So it is, too, with Mary Poppins Returns. On most days, we are pummeled with the stress of a neverending news cycle, and the realities of a world that frequently feels like it’s crumbling beneath our feet. A retreat into escapist entertainment is very much in line with the cinematic and cultural history of the United States, and very necessary.

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In 1964, the merging of cartoon and real-life characters was a state-of-the-art production process. Though not a new technology, it was a difficult one, imperfect and rarely used, and emblematic of a large budget production. Reviews upon its release commended the mixing of live action and animation as “immense,” and the Los Angeles Times critic Philip K. Scheuer noted that Disney had been trying to perfect the process for the past 40 years, and dared to shoot 400 Mary Poppins scenes using it.

In 2018, we have long since moved on. Computer animation is the norm now–we have seen the rise of Pixar, of Avatar, and other processes that try to make moviegoing seem as true to life as possible. Mary Poppins Returns goes the other way. Using a similar cel animation process combined with live action that was advanced and awe-inspiring in 1964, director Rob Marshall has created an air of nostalgia and simplicity. The effect is that the audience is thrown back to a time when moviemaking didn’t have to feel true to life, when suspension of disbelief was valued over meticulous true-to-life detail. And for many of us, that means a throwback to our childhood moviegoing experiences–evoking memories of the cel-animated Disney movies that defined the studio through the 1990s and early 2000s. Worries are tossed to the wind, and the audience is engulfed by pure fantasy.

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In these trying times, we as a society would do well to learn once again how to appreciate escapist entertainment such as the kind Mary Poppins, and Mary Poppins Returns offers. It is a cultural necessity in our efforts to deal with daily life, and a panacea that this troubled world dearly needs.

California Fires Are Burning Hollywood History

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Image of the Woolsey Fire in Los Angeles, courtesy of ABC7 New York

As I write this post, I’m looking out the window into a haze of smoke, blowing down to the Bay Area from the Camp Fire in Chico. California is fighting several severe wildfires right now, and as of this writing, the entire city of Malibu is evacuated, we have over a dozen dead, and more who have lost everything. The fires this year and over the past few years have been devastating and tragic, and the smell of smoke in the air has become all too familiar.

And now, the fires are threatening Hollywood history at both ends of California.

Yesterday, I was sad to learn that the Western Town at Agoura Hills’ Paramount Ranch has burned in the Woolsey Fire. Purchased by Paramount in 1927, the Paramount Ranch has been used continuously as an outdoor movie set for 90 years. It has served as the filming location for The Sign of the Cross (1932), Sullivan’s Travels (1942), and Morocco (1930), and the Western Town was famously the set of Dr. Quinn, Medicine Woman between 1993 and 1998, as well as the current show Westworld.

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A tweet from the Santa Monica Mountains National Recreation Area states: “We are sorry to share the news that the has burned Western Town at in Agoura. We do not have any details or photos, but it is our understanding that the structures have burned. This area is an active part of the incident and we cannot access it.”

Farther north, in Chico, the Camp Fire is threatening Bidwell Park, the location that served as Sherwood Forest in The Adventures of Robin Hood (1938). As of right now, the park is safe, but the fire remains unpredictable.

In the absence of a proper Sherwood Forest in the area around Los Angeles, Warner Bros decided to move production of The Adventures of Robin Hood up to Chico, a town in far northern California near Mt. Shasta. Errol Flynn and Olivia de Havilland spent many hours in lower Bidwell Park (the park is divided into an upper and a lower section), the area chosen to serve as the legendary forest where Robin Hood woos Maid Marian.

One of the wonderful things about the classic Hollywood community of yesteryear was their ability to rally and come together when times were tough for any of them. They were all there for each other–donating time, money, and resources to their fellow industry workers as needed. Right now, times are tough for the communities that have given us our movies. If you are able to help financially, volunteer, send supplies, or simply keep the communities in your thoughts, I know it would be much appreciated and a gesture very much in the spirit of classic Hollywood. Here is how you can help:

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Hannah Darden for the Sacramento Bee outlines what is needed. Here are some places she suggests:

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From Danny Clemens of ABC7 in Los Angeles:

Thank you for helping to keep our classic Hollywood heritage alive, and the people and animals who live in those communities safe.

Coverage of Olivia de Havilland vs. FX Wins 2018 CMBA Award for Best Classic Movie Series

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Hello dear readers,

Just a quick note to let you know that Backlots’ coverage of Olivia de Havilland vs. FX won the CMBA Award in the category of Best Classic Movie Series. It has been a marvelous run–and it’s not over yet! Stay tuned for more coverage as we wait to see if the United States Supreme Court will take up the case. If so, I will go to Washington, D.C. to watch the proceedings and report further.

Thank you for your diligent readership and for your support as we watch to see what happens. And thanks to the CMBA and the members of the Classic Movie Blog Association for their acknowledgment of my reporting.

Happy Sunday, happy reading and happy movie watching!

Olivia de Havilland Court Update: CA Supreme Court Denies Review

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Dear readers, I’ve been waiting to post about this until I got details from Olivia de Havilland’s lawyer regarding next steps, but a few days ago we got word that the California Supreme Court has declined to review de Havilland’s case against FX.

For those of us who have been advocating for her side, this comes as a blow. We don’t know how close the decision was–there was at least one justice, Justice Mariano Florentino Cuéllar, who voted to allow de Havilland to have her day in court. As judges are not required to publish their votes,  Justice Cuéllar’s is the only vote on record for either side.

We don’t know what, if anything, will happen next. The next step up in the legal system would be the Supreme Court of the United States. De Havilland’s team is weighing its options, but given the enormous pressure of being involved in a US Supreme Court case at the age of 102, this is not a decision to be taken lightly.

Regardless of what happens next, what has transpired in this case has been truly remarkable. When the case first went to the California Supreme Court, I posted an article outlining how to write an amicus curiae letter to the court in favor of de Havilland’s side. Thanks to all of you who sent your letters, 90 amicus curiae briefs were received by the court, a record-breaking number. In her email today addressing the outpouring of support, de Havilland’s lawyer wrote: “The fact that you collectively supported us and advocated for truth and fairness in the law was very important to our side.”

I have said and written from the beginning that no matter the outcome of the case, de Havilland wins. By simply putting pressure on corporate interests, showing them that civilians have the power to take them to task, she speaks truth to power and holds it accountable to the people. Since de Havilland filed her case, Ryan Murphy has shelved a season of American Crime Story about Monica Lewinsky, and the DVD release of Feud has been suspended. By daring to stand up, de Havilland has forced FX to back down and operate with more respect for facts and living people.

I will keep you posted about next steps, but in the meantime, may we all take a lesson from Olivia de Havilland–no matter how great our adversary, we cannot be intimidated by size or power. When we speak up and stand up, look the threat in the eye and assert our own presence, we see that maybe our biggest fears aren’t so big after all.

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For the Love of Old Films: Bill and Home Sweet Country Home

This Memorial Day afternoon, I took a walk in Mountain View Cemetery in Oakland and on my way back along Piedmont Ave, I noticed to my dismay that the shop of my favorite antique dealer had closed. This was a shop that I used to frequent in the days before I worked 9-5, and I had developed a close rapport with the owner, a man named Bill. I wanted to tell his story here.

Bill (I never knew his last name) had owned Home Sweet Country Home for at least 2 decades. He was a 90+-year-old eccentric who smoked like a chimney, had about 5 teeth, and though I used to come in almost every day, he never remembered me from one day to the next.  He originally hailed from Texas, and was proud of it. In the 1940s, he had owned stock in Warner Bros, so he knew all the movie stars and had stories about everyone. Not all his stories were entirely reliable, but I loved listening to him and always came away with brilliant quotes. One of his stories had to do with Leo the Lion escaping MGM wearing dentures, and sitting at the front door of Sears to roar at customers. Another was about how he saw Charles Laughton mowing the lawn with an old lawnmower, and how he ran into Bette Davis on the street smoking a cigarette. When I mentioned Jennifer Jones and what a hard life she had, he memorably answered “Well, she was from Tulsa…”

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The shop itself reflected Bill’s eccentricity. It always smelled like cigarette smoke. Books about Carole Lombard and Jane Fonda were interspersed with southern cooking manuals, presidential biographies, and board games from the 1950s. It was only open from 11 AM to 3 PM. Since he never remembered me, every day I would patiently introduce myself, who I was, what my favorite movies were, and relate some stories so that he would know that I was here to talk about the movies with him. We would frequently spend 3 or more hours chatting about movie trivia, movie songs, and exchanging tidbits about our favorite actors.

Bill didn’t know how to use the internet, so although I told him about Backlots, I’m sure he never visited. Home Sweet Country Home is nowhere to be found on Yelp or any major website, and I was usually his only customer for the day. Sometimes someone would wander in, look around, and then wander out. I never saw anyone else buy anything. I really went in just to talk to him, but I was always sure to buy something when I was in there. He usually had a few magazines, and that’s usually what I got. It makes me sad, but I doubt that many people notice that the store is now gone.

One of my favorite magazines, a 1941 Life Magazine with Gene Tierney on the cover, is from Home Sweet Country Home.

Though I don’t know for sure, my guess is that Bill is now gone, too. He was never in good health, but he kept his shop open anyway–in spite of his ill health, in spite of his lack of customers. He must have bought the building outright ages ago, as he was able to keep Home Sweet Country Home open through the meteoric rise of the Bay Area rental market. It was for the love of movies and antiques that he ran his shop, and I wanted to write this piece to toast to him and to everyone who dedicates themselves to the love of movies–when there are no customers, when there is nothing to gain–the “Bills” of the world persist out of sheer enthusiasm.

After every story, Bill used to brighten and tell me “I just love all those old films!” I was glad to be witness to it, and I will keep the memory of Bill and his shop in my mind always, as evidence of one person’s devotion to what he loves.