By Lara Gabrielle Fowler
On a whim yesterday, I removed my trusty VHS of Sunset Boulevard from its spot in my movie library (organized alphabetically, by year) and put it in for an impromptu viewing. Sunset Boulevard is one of those movies with everything–flawless plot, perfect script, skillful directing, and tour-de-force acting by Gloria Swanson, whose portrayal of fictional fallen screen star Norma Desmond, whose life has unraveled to the point of insanity, is one for the ages. As a friend of mine puts it, “Gloria Swanson tore her heart out and bled that role.”
Rightly, she was remembered in the Best Actress Oscar nominations for 1950, along with Bette Davis (All About Eve), Judy Holliday (Born Yesterday), Anne Baxter (All About Eve), and Eleanor Parker (Caged).
All About Eve is similar to Sunset Boulevard in many ways. Both were directed by writer-directors (Joseph L. Mankiewicz’s script for All About Eve is a phenomenal triumph, and Billy Wilder’s script with Charles Brackett for Sunset Boulevard is famous for being the pair’s last collaboration) and both deal brutally with the issues of stardom as one ages. The main characters are stubborn and vulnerable larger-than-life personalities. We are led to realize the unfairness in life that has been dealt to them–where Norma Desmond’s fragile mental state leads those close to her (namely her strangely devoted butler Max) to treat her with kid gloves, no one takes Margo’s guff and it is assumed that she can take care of herself–when in reality she is in desperate need of protection.
Hollywood loved its own. It was going to be either Bette Davis or Gloria Swanson, no one else had much of a chance.
But when the announcement was read, there was an upset.
So what happened?
I think the nomination of two actresses portraying similarly themed characters, both giving the performance of their respective careers, was too much for that year. The votes were split down the for Davis and Swanson, relegating each of them to the minority allowing Judy Holliday to win with the “outlier” votes. Essentially, 1950 was so good, it backfired.
Now don’t get me wrong, I think Judy Holliday was brilliant in Born Yesterday. It remains one of my favorite movies of 1950, and Judy Holliday was what made it. Check out this wonderful scene of her playing cards, and the subtle expressions and physical movements that drive the scene. I apologize for the poor quality, but it’s very much worth watching.
Had this been any other year, I would have applauded Holliday’s win, but it was an inappropriate result for a category that included Gloria Swanson in Sunset Boulevard and Bette Davis in All About Eve.
I would like to pose the question to you, readers–what are your opinions on the 23rd Academy Awards? Who do you think should have won? What do you think happened? Leave a comment in the comments section and let’s discuss it!
I look forward to reading your comments!